Chuck clears his throat and goes: "Marshall Ledbetter was this crazy guy 
    back in Florida who was always talkin' bout overthrowin' the government. He 
    had his own newsletter even. But most importantly he was a great drinkin' 
    buddy. "So, one day I get home from school and Mama says, 'Your friend Marshall's 
    on the television'. And sure enough there he was on the TV at the Florida 
    state capitol sayin' he had a pistol in a paper sack and a bomb in this big 
    liberty bell thing by the capitol building. He said if his demands weren't 
    met he was gonna blow it up. And his demands were somethin' like five hundred 
    pizzas delivered to the homeless, an autographed picture of Minnie Pearl and 
    some other wacked out shit. "Anyway, he come to find out only had a hairbrush 
    in the sack and I think another hairbrush duct taped up in the bell." We're 
    all grin diggin' Chuck Messer's story as we do every day and shake our heads 
    in enjoyment and amazement at his latest installment in his Tales of Lake 
    Wales Florida series, here at our lunch table at work. It's lunch time and 
    we're both havin' our lunch and supervisin' the large collection of handicapped 
    and retarded folks havin' their lunch as well, here at Progress Inc's workshop. 
    One of the other staff continues quizin' Mr. Messer about the legend of Marshall 
    Ledbetter while Ibe, our Nigerian co-worker of the Ebo tribe, asks, "Is Chuck 
    telling the truth." "I think so", I answer, "though he tells that story different 
    every time I hear it. It was a hundred pizzas originally". Ibe shakes his 
    head at us tall tale tellin' Americans. The job here at Progress Inc. has 
    been pretty decent and nearly always excitin'. 
    
    Whether it be a story you hear or story that happens to ya, there's always 
    a story here to bring home. Lookin' over the sea of contorted and gigglin' 
    adult faces that are beautifully animated by children's minds, I spy my first 
    assignment which was with an autistic named Bruce. The whole trick with him 
    was headin' off any 'behaviors', as the experts call it, or the act of 'freakin' 
    out', as the rest of us call it. Bruce freakin' out usually was preempted 
    by an obsession over somethin' out of place or anything deviating from the 
    schedule. For instance if someone was absent from the workshop or if his daddy 
    was a little late pickin' him up, that'd cause Bruce to get a hankerin' for 
    some obsessin'. Everyone, staff and clients alike, knew to take cover when 
    Bruce started flippin' at his ears with his hands because this would be followed 
    by a good scream and punch fest by Bruce, with harmonizin' screams by the 
    folks fleein' his general vicinity and the screams of the folks gettin' punched 
    by Bruce. My mission officially was to work with him one on one at readin' 
    and writin' skills and keep him happy. But he was no dummy and even after 
    I'd take great lengths to distract him from out of place occurrences, he'd 
    freak out anyway and punch someone. So, I soon figured out that my job was 
    actually to restrain him physical when he went to do his hurtin'' on somebody. 
    A couple months after I had worked with Bruce, Chuck, left the pharmacy and 
    came to work at Progress too. They gave Bruce to Chuck to restrain and gave 
    me a brand new autistic fella named Aaron. Aaron had been even more dangerously 
    violent than Bruce in the past until no more agencies would keep him anymore. 
    So, they had to have him heavily sedated and was pretty much kept him in his 
    parents' basement for six years. That is until the sedation drugs turned toxic 
    and was startin' to do a number on his liver. Hence, we, Aaron and me, are 
    now best buddies and do everything together. It didn't go to good at first; 
    he punched put a girl in the hospital within the first couple of days. Aaron's 
    behaviors are usually triggered by someone touching him, too many people bein' 
    in his vicinity, too much noise or somethin' not goin' his way. And his 'everyone 
    duck for cover' signal is him pushin' his ears up and screamin' this scream 
    that raises the hair on your back. Again, restrainin' him before he rearranges 
    somebody's face, is what it all come down to. Aaron is happiest when he is 
    watchin' a dryer spin round, has his ear against some kind of vibratin' machinery 
    or listentin' to bluegrass music in the headphones. With any of these stimulations, 
    he grins one of them eye closin' grins and flaps his hands above his head. 
    I noticed once he seemed to study how some of his favorite mechanical noise 
    makin' things worked and so found a broken radio, gave him a screwdriver and 
    let him take it apart and put it back together. He especially liked this while 
    listenin' to the headphones. He'd stop unscrewin' some part, grin his eye 
    squintin' grin while I could barely hear some high lonesome harmonizin' leakin' 
    from his ears. Once he got mad about something and went to stab me with the 
    screwdriver but I pointed at him and said, "If you stab me with that, we're 
    gonna hafta wrestle!" "Wrestle?", he'd repeat. "Wrestle", I'd stand my ground. 
    He'd think about it, grin his grin and go back to bein' good for at least 
    a little while. "You not eatin'?", I ask noticin' Ibe's table space at the 
    lunch table is empty. "No man. I can't eat here", Ibe answers as if I should 
    know this. "How come?" Ibe looks at me as if I'm stupid and then as if maybe 
    I'm pullin' his leg. I help him out sayin', "I guess I'm stupid. Why can't 
    you eat here?" Ibe scans over the several tables full of clients and spyin' 
    somethin' relevant, smiles and points whatever it is out for me. Lookin' at 
    where he's pointin', I see Thomas, a blind and deaf fella, thowin' up all 
    over what lunch he hasn't ate yet and then after he wipes his mouth, proceeds 
    to eat both the bile soaked food and what particles of food have already passed 
    his palate once today. "I gotcha", I respond understandin' Ibe's point and 
    then proceed to finish my own lunch quickly. Ibe hollers to Gary Big Daddy 
    Yum Yum Worden at the other end of our table, who is Thomas' one on one staff. 
    After chucklin' some at the sight, Gary leather jacket lumbers over to clean 
    the mess up sayin', "Oh son. I had such high expectations for you."
    
    Back at our lunch table, Chuck starts up again. "And that reminds me, the 
    last time I was home I ran into Marshall at a bar one night and he had just 
    got out of the state pen. He was ravin' bout the government even more now. 
    And anyway, some other friends showed up and we get to drinkin' and had a 
    good time havin' Marshall back. "But we all drive back home together and as 
    we're goin' down the road, Marshall rolls down the window and pukes- right 
    by a parked police car. The cop pulls us over and the guys in the back are 
    holdin' Marshall down and have his mouth covered and he's squirmin' and fightin' 
    and tryin' to say somethin'. "Everything goes well and the cop's about to 
    let us go but Marshall gets loose and starts hollerin', 'I'm not afraid of 
    ya, ya pig, you pig! Come back and get me, ya pig, ya pig!' "So, the cop shines 
    his light in the back seat, does a double take and says, 'Marshal Ledbetter! 
    They let you out?!'" Ibe laughs with the rest of us but is lookin' at me wonderin' 
    what part to believe. Chuck starts up again, I think to tell us some bout 
    Marshall but am sorely disappointed at his announcement. "Hey Tim, your son's 
    havin' a moment." And lookin' at where I left Aaron to eat, see that he's 
    fast asleep, usin' a half eaten sandwich for a pillow with the musical splashes 
    like that of a tiny waterfall, indicatin' that Aaron is so relaxed that he 
    is also gently releavin' himself. I groan, go get some gloves and eventually 
    wake Aaron up and get him into the bathroom to change cloths. He's totally 
    useless tryin' to undress himself beins he's so drowsy from the behavior medicine. 
    The rationale is that the more one is drowsy, the more likely one will be 
    too tired to clobber and kick ass. While Aaron sways stands above me, I'm 
    tryin' to undo his urine soaked shoelaces, and out of the blue Aaron gets 
    a little gumption enough to pull his shorts and underwear down, hence releasin' 
    his monster genitalia he's been blessed with. So, while he sways drowsily, 
    his giant damp organ proceeds to smack me in the forehead. Chuck walks in 
    durin' this. "Whoa, daddy! I didn't need to see that! Hey Tim, I meant to 
    tell ya, Randy called and he's havin' a shin dig over at his apartment tonight. 
    Said they're gonna have wine from his parents vineyard and everything!" "Really?", 
    I say pullin' off a damp shoe. "You wanna go?" "Well hell! Does a fat baby 
    fart?" I think about that. "Well, yeah I guess they do", I answer pullin' 
    off a wet sock. "You pick me up?" "Sure. Soon as I get off at the pharmacy", 
    I add dodgin' Aaron's pendulum again. "Cool! Okay, I'll leave you two alone." 
    "Thanks." 
    
    The rest of the workshop day goes without serious incident and when the 3:59 
    time comes, I'm bustin' a move out the buildin' and towards the parkin' lot 
    where my faithful yellow Japanese friend, the 1973 Datsun 610 awaits and yearns 
    to feel my agile fingers round it's sleek steerin' wheel. In the process, 
    I fly by Grandmama Joyce Cotton, black and as beautiful as the night, who's 
    standin' and relaxin' out the back door. She hollers out in her thick New 
    Orlean's dialect, "Boy, what ya got cookin' that'sa makin' ya fly outta here 
    so quick?" "Gotta get to a party!", I holler back. She smiles a gracefully 
    aged smile that seem to be partial to the young people at the work place and 
    gets out, "Have fun Timothy", before I get in the car and putter away. I get 
    to the pharmacy, grab my basket of medicine and am outta there. These days 
    I'm pretty much deliverin' to the old folks homes and no longer the nursin' 
    homes. So, I should be done quick. Once at the old folks towers, I race up 
    stairs, sprint down hallways, give a quick knockin', leave the medicine on 
    the door knobs and am on my way. Now, normally I'd wait around for payment 
    but today decide to get it another day. This kickass formula, in light of 
    youthful agility and aged decrepity, works at all but one stop. And it only 
    doesn't work cause the particular old lady is watchin' out her peep hole when 
    I do my courtesy knock. "Come in, come in, young fella!", Mrs. Hacker says 
    openin' her door and wiskin' away the wood from my knuckles rapin'. "You're 
    awful quick today", I say totally unimpressed. "Yeah, I was watchin' out my 
    peephole monitorin' the hallway." "Why for?" "Well, we decorated our hallway 
    here for Thanksgiving and wake up one mornin' to find all the pilgrims and 
    Indians with their heads cut off! So, the ones of us who decorated took turns 
    watchin' out our peepholes after we put up some new decorations and sure enough, 
    we catch the scoundrel up at two in the mornin' wackin' the heads off again! 
    It was that mean old man who lives down at the end of the hallway! He gave 
    us a good cussin' when we caught him, yes sir! But ya can't throw a soul out 
    of a buildin' for bein' a grinch, so, we hafta keep an eye on him till this 
    holiday is over." After givin' the hallway a quick glance back and forth, 
    assurin' intact Indian and pilgrim heads she looks me over good as if I had 
    just appeared there and then asks, "You look antsy! What's the matter with 
    ya?" "Oh, I'm sorry", I answer kinda feelin' bad for not wantin' to be there 
    in front of her, "I'm tryin' to finish work early today. I gotta a party to 
    get to tonight." "And here I am holdin' ya up!", she says stompin' her little 
    foot. "Get on! I'll send my check in latter." "You sure?" "Oh yes. I neededa 
    prescription on Christmas day last year and one of you boys made a special 
    trip out here to me. I didn't never forget that. Now, get on outta here!"
    
    "A thousand 'Thanks you's, Mrs. Hacker", a say turnin' on my heel as she waves 
    me on. And I'm off once again, back to the pharmacy to get my car, thinkin' 
    I'm free to party but, GAL DANG IT!, the owner himself, Mr. Taylor, asks me 
    to make one more delivery out to Murfreesboro, Tennessee, a town about an 
    hour away. But I owe him for my job and his kindness. So, I break several 
    traffic laws down Interstate 24 East and in record time get myself and the 
    medicine to the pretty little college town. The Murfreesboro delivery gets 
    me close to Poet Drew's house at which I can't resist bein' all that close 
    to him bein's we live so far apart without visitin'. So, I screech stop there 
    right off the town square and we sit on his red brick back porch swing. Drew 
    smokes and I drink some iced mint tea Drew's beautiful red headed mama had 
    made for me, the mint stem seemingly rooted at the bottom of the glass and 
    reachin' out over the sweatin' glass rim. Drew hands me a couple of jotted 
    down lines of poetry and asks me to work on jottin' on a couple more. So, 
    I fold the jotted down lines up and file 'em in my flannel shirt pocket, shake 
    Poet Drew's smokin' hand and stand and skip and sit and drive off as quick 
    as I came.
    
    
    Just as I am about to get back onto I-24, I see a bunch of cattle grazin' 
    in a roadside ditch and eventually see the jarred open gate. The cows are 
    dangerously close to the skull crushin' cruisin' cars and rigs, so I pull 
    over and attempt to herd 'em back into the open gate. They end up runnin' 
    from me and in the direction of the highway. There's a single wide trailer 
    home close by, so I bang it out on the fiberglass door until I figure ain't 
    no body home. The cattle are eyein' me while munchin' on down a little further 
    on ditch grass and trash and so I accept that I can only do more harm here 
    than good. Pullin' off, I'm back on my way to the party! Datsun recovered, 
    Yvette and Chuck picked up, we pull up, outside Randy Caldwell's apartment, 
    apparently the pin pointed sight tonight for the get down and get groovy party. 
    I say just for the sake of it as we climb up the partitioned apartment stairway, 
    "If this party ends up suckin', we can at least take stabs and wagerin' at 
    how many times Randy's girlfriend says the F-word throughout the night." Yvette 
    chuckles and Chuck responds, "My money's on no less than 20 times." The door 
    is pushed open producin' a warm, strange smell resemblin' a Middle Eastern 
    grocery store and nearly pushes us back down the stairs. We walk in wearin' 
    our expectant ready-to-have-a-good-ole-time faces and after surveyin' the 
    roomful of people there, realize what we've walked into. Countless khaki covered 
    legs, tucked in shirts, trendy wet-look hair cuts, beautiful yet creepily 
    perfect faced girls and men with clear skin and thick necks. Whether it is 
    self imposed or in fact real, intimidation by the well manicured folks was 
    what the three of us was feelin'. But we file in anyway, bein' greeted with 
    "Hello"s and "How's it going?"s and us returnin' with "Howdy, howdy"s. Yvette 
    is slightly embarrassed at me and Chuck's howdys because she was raised in 
    Dutch and British colonies, la te dah! We embarrass her some more by all three 
    of us at the same time tryin' to squeeze into a vacant love seat. The rich 
    kids go back to talking to each other about high fluetin' stuff, every once 
    in a while stealin' glances at the small town aborigines packed in on the 
    love seat. "The 'Wine from my parent's vineyard' should of been our first 
    clue", Chuck mumbles while the token non-consumer culture created blues music 
    plays in the background. I nod sayin', "I'm thinkin' we're the token trailertrash." 
    "Speak for yourselves", Yvette adds still embarrassed though lookin' just 
    as goofy as the two of us, all squeezed up between us. I hafta admit that 
    if I'm biased against or wary of any one people in this world, it's rich people. 
    It probably stems back to my high school years where my hometown's major rival 
    was a white bread suburbanite town called Newburgh. The people there actually 
    were more well off or upper middle class than rich. But they were without 
    a doubt snotty towards our town, constantly callin' us 'rednecks', 'hicks' 
    and so on. Fist fights at games were common, with, I'm ashamedly proud to 
    say, us winnin' a majority of the time. When havin' the choice to bet on either 
    a steroid fed boy or a corn fed boy in a fight, always go with the corn and 
    sit back and watch a good ole country ass whopin'. Will trumps mechanics always. 
    
    
    But my irritation with rich folk peaked when soon after I moved to Nashville, 
    I got a job parkin' cars at the trendy restaurants in the city. Some of rich 
    people were genuinely nice but it only takes a majority to ruin them all for 
    a guy. Rich women and girls seemed to win the malicious contest. A lot of 
    the Vanderbilt University rich girl students would do the old hold out your 
    tip to ya and when ya went to reach for it, they'd drop it on the ground. 
    Some time after this, Yvette was asked by one of our music professors to join 
    his Episcopalian church choir out in a extremely rich area outside Nashville. 
    They'd mock the people they didn't like, they'd run off rectors they didn't 
    like, they'd whisper cruel comments amongst themselves, usually directed at 
    the poor or political conservatives, people they certainly didn't like. The 
    poor must always live conservatively as we cannot afford to throw money away 
    nor can we live immoral lives and when it all catches up with us get plastic 
    surgery to hide it, like rich people do. The sickest thing was to hear them 
    braggin' to each other on what socialist politician they voted for and then 
    make the assertion that it was a vote of compassion for the poor. I wanted 
    to hog tie 'em, drag them out of their townhouses and mansions and take 'em 
    on a hay ride through the projects to show 'em how much compassion government 
    social programs have on the poor. There were several times I had to keep myself 
    from over turnin' wine tables and luxury cars and holler, "You've made my 
    house a den of snobs!" and then chop down the church sign and rename it The 
    Eye of the Needle Church for the Wealthy "Where Seven Digit Salaries is God's 
    Sacred Number" check in your fur coat and conscience at the door. Well, anyway, 
    that's not entirely a Christ-like attitude for me to have. Let the rich have 
    their riches, for gold is a heavy load to carry. Sides, if you are a member 
    of any of the major world religions, hating the sinner is a sin, as is coveting 
    what other people have and desire for something that was earned or stolen 
    by someone else is the greatest of sufferings.
    
    But back at the party, Chuck and I attempt to make educated conversation. 
    "So Chuck, what are the origin's of your last name?" "Well, it's German. My 
    family is of the opinion that it was originally 'Messershmit'. Kids back in 
    high school were of the opinion it was originally 'Messinyourpants'." "Chuck 
    Messinyourpants! Yeah, I'd just go with 'Messer'." Yvette has lost all of 
    her dignity and is laughin' one of her laughs that envelopes her entire body 
    in the act. "Chuck Messinyourpants!", she says with rockin' the rest of us 
    on the loveseat with each of her writhes in between each syllable within 'Messinyourpants'. 
    "Stop it Chevette, Corvette, whatever your name is!", Chuck returns tryin' 
    to reposition himself. The rich kid's conversations quiet down as they watch 
    the three uncomfortable freaks on the loveseat. One of the rich girls says 
    out of the blue I guess in reference to the blues on the stereo, that gansta 
    rap is modern day blues. I jump in sayin' that blues are modern day Hebrew 
    lamentations. The whole room sits in silence. So, Chuck clears his throat 
    and goes. "One time me and some friends back home in Lake Wales, Florida drank 
    some Lord Calvert and went to a 4-H fair. This Middle Eastern guy at the ticket 
    booth for some reason made me mad and so I punched the plexi glass and it 
    shattered and the Middle Eastern guy chased us through the park sayin', "You 
    bastard infidels must pay! YOU MUST PAY! "After that we were drivin' around 
    and one of my friends had us stop at a gas station so he could use the bathroom. 
    While we were waitin' for 'em, I started to feel sick and so I ran in the 
    bathroom to throw up and in my drunkenness busted in the stall my friend was 
    doin' his business and threw up on him!" The rich kids are actually evidently 
    amused by Mr. Messer's adventures, evidenced by the open mouth smiles and 
    tiny polite laughs. "Take it away, Tim!", Chuck enthusiastically says taggin' 
    me with a high five and thus hands over the whole room's attention he has 
    completely captured. So, I clear my throat and go. "One time me and my dad 
    ate some chili at an old lady's house after Sunday mornin' church. We then 
    went back to the church cause my dad worked there in between services and 
    I went over to play with the preacher's kids that lived in the parsonage next 
    door. What I'd usually do was let myself in the basement of the parsonage 
    and watch the TV down there until the preacher's kids got done eatin' and 
    then they'd come down to play. But while I was sittin' down there I started 
    to feel sick and so ran to the bathroom down there and not quite makin' it 
    all the way there, threw up my chili beans and bile on the throw rug in front 
    of the toilet. Thinkin' as quick as I could, I folded up the rug, tossed it 
    in the bathtub, pulled the curtain shut and left the parsonage leavin' no 
    evidence of my presence. "Later that night at the children's church, I started 
    to feel sick again and threw up all over the table everyone was sitting at, 
    soaking lesson papers, cardboard cut outs of disciples and bibles with my 
    bile and chili sauce. I don't think I had any beans left in me. "One of the 
    church ladies dragged me down to the bathroom and pushed me in. I go to get 
    in one stall so I can sit on the toilet, but somebody was already occupying 
    it. So, get in the next stall, sit down and try to collect my thoughts. But 
    the guy in the next stall is really havin' a time himself except in matters 
    of the other end and is really stinkin' up the place, almost makin' me sicker. 
    I look at the guy's shoes and they look real familiar. "'Dad, is that you?', 
    I ask. "'Tim, is that you?', my dad returns. "'Yeah. I'm sick.' "'How bout 
    that chili?'" The rich kids left the politeness back at 'me and my dad ate 
    some chili' and are really lettin' themselves laugh in full body convulsions, 
    much like Yvette does. So, I try to keep it goin'. "Yvette", I end givin' 
    Yvette a high five, tryin' to pass on the storytellin' torch. "I've never 
    thrown up", she says breakin' the storytellin' chain. I think we're almost 
    about to lose the moment, but then one of the rich kids raises his hand and 
    pipes up, "Ya know, I threw up once..." and proceeds to tell a not-very-good 
    puke story. But the beautiful thing is that the walls that both classes had 
    built up come tumblin' down by way of throwin' up, or at least by way of tellin' 
    about throwin' up. And we encourage the rich kid by laughin' at his digestion 
    misfortunes and askin' 'What happened next?' type questions. The rest of the 
    evenin' consists of good wine, food we can neither pronounce nor recognize 
    and some stimulatin' conversation, peppered with Randy's girlfriend's fairly 
    frequent F-words. And I end up exchangin' phone numbers with a guy there that 
    teaches at a boy's academy because we find out we share many literature interests. 
    As Jesus said, the rain falls on everyone. Wicked and righteous, rich and 
    poor, smart and stupid, we are all brothers and sisters no matter with all 
    the divyin' up we do. We all breathe, eat, drink and then throw up. Or at 
    least most of us did at the party that I'm glad I got to. 
 
 GOTTA GET TO THE PARTY
    tim 
    buchanan 

    
    TIM BUCHANAN
    is in a band known as Tombstone Trailerpark
    and has released solo spoken word discs .
    He is a regular contributor to FSR.