JAMES TALLEY'S
    TRUE CONFESSIONS
20 QUESTIONS
    1. WHERE WERE YOU BORN, WHERE DID YOU GROW UP? 
    
    I was born in Tulsa, Oklahoma. I never lived in Tulsa, but that was the nearest 
    hospital. At the time we were living in Pryor, Oklahoma, where my parents 
    were working at a gunpowder plant. It was during WW II. We also live in Commerce, 
    Oklahoma for a while, which was the home town of the baseball slugger, Mickey 
    Mantle. When I was three years old, my parents moved to the state of Washington, 
    where my father worked in the Hanford plutonium factory in Richland. This 
    is where the plutonium was made for the atomic bomb. He was a chemical operator 
    there, working around the radiation. When I was eight years old, we moved 
    to Albuquerque, New Mexico, which is where I grew up and attended high school 
    and college.
    
    2. WHAT IS YOUR EARLIEST MUSICAL MEMORY?
    
    I guess that would have to be driving through the apple orchards around the 
    tri-cities area of Washington - Kennewick, Pasco, and Richland - in my parents 
    car listening to Hank Williams, Lefty Frizzell, and Bob Will and the Texas 
    Playboys on the radio. My parents never had a record player, so all the music 
    I heard came from public sources as a child.
    
    3. WHAT WAS THE FIRST RECORD YOU OWNED? 
    
    The first record player I owned was a little player that would play 78 rpm 
    records. I think I was in about the fifth or sixth grade. I remember the first 
    record I bought was "Hearts of Stone," a do-wap number. When I was in high 
    school, I bought a stereo player through my uncle Clyde, who owned a furniture 
    store in California. There was one set of speakers in the cabinet with the 
    record player, and a separate set of speakers that you could set across the 
    room. Stereo was brand new then, and I thought I was state of the art!
    
    4. WHEN AND WHERE WAS YOUR FIRST PERFORMANCE? 
    
    I guess that would have been in high school. Two friends of mine and I had 
    a little folk music trio. The Kingston Trio was very big then with young people, 
    and we had a little trio and we sang a lot of their songs at student assemblies 
    and such. 
    
    5. WHO IS THE SINGLE BIGGEST MUSICAL INFLUENCE ON YOUR 
    WORK? 
    
    There have been many; but I guess that would probably have to be Woody Guthrie. 
    Coming from a family of Dust Bowl, Depression era Okies, I found a touchstone 
    in his work. I first heard the covers of his songs done by the Kingston Trio, 
    and of all the songs they did, it was his songs that struck me the most - 
    probably because of my heritage. 
    
    6. WHAT IS THE MOST MEMORABLE CONCERT YOU'VE ATTENDED? 
    
    Well, I've never really been a big concert goer, as I don't much care for 
    being in crowds; but when I was an artist on Capitol back in the mid 70s, 
    I was out in Los Angeles and some of the Capitol folks took me to see The 
    Band at the Greek Theatre in Los Angeles. They were at the top of their form 
    at the time, and it was a wonderful concert. I recently saw the tribute to 
    Patsy Cline here in Nashville, with Mandy Barnett singing the songs. It was 
    a wonderful show. 
    
    7. WHAT IS THE WORST JOB YOU'VE EVER HAD?
 I've had a lot of them! One of the worst was probably when I was working 
    as a carpenter as they were building Interstate 40 across western New Mexico. 
    I was forming "head-walls" on the concrete culverts that ran under the roadbed. 
    We were on the Laguna Indian reservation. It was about 116 degrees in the 
    shade (and there was no shade). There was also no power on the job, and all 
    the plywood for the concrete forms had to be cut with a handsaw. The foreman 
    would show up in the morning, then go sit in a bar all afternoon drinking 
    beer, and show up again just before quitting time to chew everyone out. It 
    was a tough gig.
    
    8. WHAT IS THE BEST JOB YOU'VE EVER HAD? 
    
    Being a recording artist on Capitol in the 70s. There were lots of problems, 
    but I was doing what I wanted to do with my life, and I was performing and 
    sharing my music with people. Isn't that what art is for, to share? That was 
    a very fulfilling period in my life.
    
    9. WHO IS YOUR FAVORITE ARTIST (ALL MEDIA)?
    
    I don't know that I have one favorite artist, in recording, movies, or whatever. 
    There are so many talented people. I love music, novels, history, photography, 
    movies ... all of it. 
    
    10. WHAT IS YOUR ALL-TIME FAVORITE BOOK 
    
    There again, that is hard to say. I've read so many wonderful books. I guess, 
    because of my own family history, John Steinbeck's, The Grapes of Wrath, would 
    have to rank way up there. 
    
    11. WHICH IS YOUR FAVORITE INSTRUMENT? 
    
    Well, since guitar is my instrument, I guess that would be it. 
    
    12. WHAT IS YOUR FAVORITE SONG YOU'VE WRITTEN?
    
    Well, I've written a great deal, and I don't know that I have a favorite song, 
    but I guess one of my favorites would be "Up From Georgia." 
    
    13. WHAT IS THE FAVORITE SONG SOMEONE ELSE HAS WRITTEN?
    
    Here again, I don't think I have a particular favorite. I enjoy all sorts 
    of music, and each artist that has something to say, has something to say! 
    Listen to B. B. King singing "That's Why I Sing The Blues;" or Dusty Springfield 
    singing, "Son of a Preacherman;" or Dave Loggins, "Please Come To Boston;" 
    or Hank Williams, Mickey Newbury, Muddy Waters, or Woody Guthrie singing anything! 
    There's so many great songs out there.
    
    14. HAVE YOU EVER COLLABORATED IN SONGWRITING?
    
    No, I never have. I tried it a couple of times, but it wasn't very satisfying. 
    I am not saying I wouldn't at some point, if the right chemistry was there; 
    but songwriting to me is a very solitary thing. Unless I can put a piece of 
    my heart in it, I don't want to do it. Can you imagine Carl Sandburg or Robert 
    Frost co-writing? John Steinbeck didn't co-write did he? There have been many 
    good songs that have been co-written - the Lennon/McCartney compositions come 
    to mine - but I have not done that. 
    
    15. CAN SONGWRITING BE TAUGHT OR IS IT A GOD-GIVEN TALENT? 
    
    Oh, I think the craft, the structure, the commercial formulas and "hooks" 
    can be taught, the same as a painting instructor can show a student the proper 
    way to put paint on a canvass. But what you put on that canvass must come 
    from your own inspiration, your own soul. Or to put it another way, what you 
    have to say. Having something to say can only come from deep within. Of course, 
    we all know there is a lot of music being marketed that has damn little to 
    say. 
    
    16. WHAT SINGLE THING HAS HELPED YOU MOST IN YOUR CAREER? 
    
    
    Relentless determination, which was taught to me by example by my mother. 
    She was born into an extremely poor farm family in north-central Oklahoma; 
    and by her own initiative, with no assistance from anyone, rose above that 
    station and earned a teaching degree from Oklahoma State University during 
    the Depression. You've got to believe in what you are doing, and as Peter 
    Guralnick is always reminding me, you've got to keep the faith! 
    
    17. WHAT SINGLE THING HAS HINDERED YOUR CAREER? 
    
    Undercapitalization, and the Scorpio's tendency to be self destructive. It 
    is hard to keep in mind, that everyone does not share your dreams with the 
    same intensity you have. Sometimes I expect too much from people. 
    
    18. WHAT'S YOUR FAVORITE DRINK? 
    
    Water (occasionally mixed with a little Jack Daniels whiskey).
    
    19. WHO'S YOUR FAVORITE POLITICIAN? 
    
    I don't favor politicians; they're all horrible (and they're all human);but 
    philosophically, as Will Rogers said, "I am not a member of any organized 
    party; I'm a Democrat." 
    
  
 20. DESCRIBE YOUR LATEST DISC.
    
    Nashville City Blues is an album about dreams - the price of dreams and keeping 
    the faith. It is a personal journey through thirty years of the Nashville 
    music business set on a canvass of country blues. Many of the songs are first 
    person; but since I am no different from you, they are about you and your 
    dreams also. Dreams are what make reality bearable. I hope you will find something 
    in my fragile dreams. 
    
  
lives in nashville and has just released his latest 
    disc 
    'Nashville City Blues'. The latest in a series 
    of superb works dating back to the 70's.....
 "Got No Bread 
    ... marketed as country, it has little to do with what came out of the Nashville 
    machine ... there’s not a cliche on it. Every note sounds as if it was played 
    - and what is more, felt - by a living human being. ... In the vein of the 
    Band’s second album, it is an affirmation". 
    – Greil Marcus. 




