{"id":733,"date":"2009-02-10T09:49:22","date_gmt":"2009-02-10T09:49:22","guid":{"rendered":"http:\/\/belcheresque.wordpress.com\/?p=733"},"modified":"2009-02-10T09:49:22","modified_gmt":"2009-02-10T09:49:22","slug":"postmodernism-is-dead-really","status":"publish","type":"post","link":"https:\/\/shaunbelcher.com\/criticism\/?p=733","title":{"rendered":"Postmodernism is dead? Really?"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-779\" title=\"french1\" src=\"http:\/\/belcheresque.files.wordpress.com\/2009\/02\/french1.jpg\" alt=\"french1\" width=\"500\" height=\"500\" srcset=\"https:\/\/shaunbelcher.com\/criticism\/wp-content\/uploads\/2009\/02\/french1.jpg 500w, https:\/\/shaunbelcher.com\/criticism\/wp-content\/uploads\/2009\/02\/french1-150x150.jpg 150w, https:\/\/shaunbelcher.com\/criticism\/wp-content\/uploads\/2009\/02\/french1-300x300.jpg 300w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><br \/>\n<a href=\"http:\/\/www.tate.org.uk\/britain\/exhibitions\/altermodern\/manifesto.shtm\">http:\/\/www.tate.org.uk\/britain\/exhibitions\/altermodern\/manifesto.shtm<\/a><\/p>\n<p>Altermodern<br \/>\nManifesto<br \/>\nPOSTMODERNISM IS DEAD<br \/>\nA new modernity is emerging, <a href=\"http:\/\/sildenafil24.net\/\" style=\"text-decoration:none;color:#676c6c\">salve<\/a>  reconfigured to an age of globalisation \u00e2\u20ac\u201c understood in its economic, political and cultural aspects: an altermodern culture<\/p>\n<p>Increased communication, travel and migration are affecting the way we live<\/p>\n<p>Our daily lives consist of journeys in a chaotic and teeming universe<\/p>\n<p>Multiculturalism and identity is being overtaken by creolisation: Artists are now starting from a globalised state of culture<\/p>\n<p>This new universalism is based on translations, subtitling and generalised dubbing<\/p>\n<p>Today\u00e2\u20ac\u2122s art explores the bonds that text and image, time and space, weave between themselves<\/p>\n<p>Artists are responding to a new globalised perception. They traverse a cultural landscape saturated with signs and create new pathways between multiple formats of expression and communication.<\/p>\n<p>The Tate Triennial 2009 at Tate Britain presents a collective discussion around this premise that postmodernism is coming to an end, and we are experiencing the emergence of a global altermodernity.<\/p>\n<p>Nicolas Bourriaud<br \/>\nAltermodern \u00e2\u20ac\u201c Tate Triennial 2009<br \/>\nat Tate Britain<br \/>\n4 February \u00e2\u20ac\u201c 26 April 2009<\/p>\n<p>Eyeblog review<br \/>\n<a href=\"http:\/\/blog.eyemagazine.com\/?p=150\">http:\/\/blog.eyemagazine.com\/?p=150<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>http:\/\/www.tate.org.uk\/britain\/exhibitions\/altermodern\/manifesto.shtm Altermodern Manifesto POSTMODERNISM IS DEAD A new modernity is emerging, salve reconfigured to an age of globalisation \u00e2\u20ac\u201c understood in its economic, political and cultural aspects: an altermodern culture Increased communication, travel and migration are affecting the way we live Our daily lives consist of journeys in a chaotic and teeming universe Multiculturalism and [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4,5,6,8,17,19,22,29,30,31],"tags":[40,101,102,108,111,75],"class_list":["post-733","post","type-post","status-publish","format-standard","hentry","category-alter-modernism","category-art","category-art-criticism","category-art-review","category-environment","category-galleries","category-london-art-scene","category-painting","category-politics","category-postmodernism","tag-altermodernism","tag-art","tag-art-criticism","tag-politics","tag-postmodernism","tag-tate-britain","post-preview"],"_links":{"self":[{"href":"https:\/\/shaunbelcher.com\/criticism\/index.php?rest_route=\/wp\/v2\/posts\/733","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/shaunbelcher.com\/criticism\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/shaunbelcher.com\/criticism\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/shaunbelcher.com\/criticism\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/shaunbelcher.com\/criticism\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=733"}],"version-history":[{"count":0,"href":"https:\/\/shaunbelcher.com\/criticism\/index.php?rest_route=\/wp\/v2\/posts\/733\/revisions"}],"wp:attachment":[{"href":"https:\/\/shaunbelcher.com\/criticism\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=733"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/shaunbelcher.com\/criticism\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=733"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/shaunbelcher.com\/criticism\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=733"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}