{"id":990,"date":"2010-02-22T15:52:05","date_gmt":"2010-02-22T15:52:05","guid":{"rendered":"http:\/\/belcheresque.wordpress.com\/?p=990"},"modified":"2016-06-08T07:23:19","modified_gmt":"2016-06-08T14:23:19","slug":"axis-rant-2-alice-and-the-curious-curatoriat","status":"publish","type":"post","link":"https:\/\/shaunbelcher.com\/criticism\/?p=990","title":{"rendered":"AXIS RANT #2: Alice and the Curious Curatoriat?"},"content":{"rendered":"<blockquote class=\"zemanta-reblog-quote\" style=\"margin: 1em 3em;\"><p>When did it happen? When did the power structure in the arts shift so fundamentally away from the practicing artist and into the hands of a new breed of art school trained curators or as I have re-designated them &#8216;curatoriat&#8217;? The growth industry in &#8216;curatorial&#8217; courses like the MA at the Royal College of Art reflects a far wider shift and a worrying one for us poor artists at the bottom of the arts funding pecking order. Read the rest\u00c2\u00a0on axisweb.org<span class=\"attribution zemanta-reblog-cite\" style=\"text-align: right; display: block; width: 100%; padding: 1em 0;\"><a href=\"http:\/\/www.axisweb.org\/dlForum.aspx?ESSAYID=18076\">Shaun Belcher: Alice and the Curious Curatoriat<\/a>, <a style=\"text-decoration: none; color: #676c6c;\" href=\"http:\/\/buyviagraonlinefree.net\/\">here<\/a> Feb 2010<\/span><\/p><\/blockquote>\n<p>You should read the whole article.<\/p>\n<p>HERE:\u00c2\u00a0<a href=\"http:\/\/www.axisweb.org\/archive\/news-and-views\/the-rant\/rant-31\/\">http:\/\/www.axisweb.org\/archive\/news-and-views\/the-rant\/rant-31\/<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>When did it happen? When did the power structure in the arts shift so fundamentally away from the practicing artist and into the hands of a new breed of art school trained curators or as I have re-designated them &#8216;curatoriat&#8217;? The growth industry in &#8216;curatorial&#8217; courses like the MA at the Royal College of Art [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6,7,9,79,19,87,22,27,28,31],"tags":[],"class_list":["post-990","post","type-post","status-publish","format-standard","hentry","category-art-criticism","category-art-education","category-artists-studios","category-arts-council-england","category-galleries","category-journal","category-london-art-scene","category-nottingham-art-scene","category-nottingham-contemporary","category-postmodernism","post-preview"],"_links":{"self":[{"href":"https:\/\/shaunbelcher.com\/criticism\/index.php?rest_route=\/wp\/v2\/posts\/990","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/shaunbelcher.com\/criticism\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/shaunbelcher.com\/criticism\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/shaunbelcher.com\/criticism\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/shaunbelcher.com\/criticism\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=990"}],"version-history":[{"count":2,"href":"https:\/\/shaunbelcher.com\/criticism\/index.php?rest_route=\/wp\/v2\/posts\/990\/revisions"}],"predecessor-version":[{"id":1139,"href":"https:\/\/shaunbelcher.com\/criticism\/index.php?rest_route=\/wp\/v2\/posts\/990\/revisions\/1139"}],"wp:attachment":[{"href":"https:\/\/shaunbelcher.com\/criticism\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=990"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/shaunbelcher.com\/criticism\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=990"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/shaunbelcher.com\/criticism\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=990"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}