{"id":1613,"date":"2011-05-12T12:51:58","date_gmt":"2011-05-12T19:51:58","guid":{"rendered":"https:\/\/shaunbelcher.com\/blog\/?p=1613"},"modified":"2011-05-12T12:51:58","modified_gmt":"2011-05-12T19:51:58","slug":"rpt-perspectives-on-landscape-abstract","status":"publish","type":"post","link":"https:\/\/shaunbelcher.com\/news\/?p=1613","title":{"rendered":"RPT:  abstract"},"content":{"rendered":"<p>Track: Metaphors and a sense of belonging in a networked field of vision.<br \/>\n<a href=\"https:\/\/shaunbelcher.com\/rpt\/wp-content\/uploads\/2011\/05\/blewbury.png\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/shaunbelcher.com\/rpt\/wp-content\/uploads\/2011\/05\/blewbury.png\" alt=\"\" title=\"blewbury\" width=\"544\" height=\"447\" class=\"alignnone size-full wp-image-219\" \/><\/a><br \/>\n<em>Blewbury Postcards by EWB pre-1945<\/em><\/p>\n<p>Abstract:<br \/>\nDoes the viewing and deployment of traditional art practices within augmented reality locative multimedia applications alter the relationship between creator, <a href=\"http:\/\/cialis-for-sale-safe.com\/\" title=\"cialis\" style=\"text-decoration:none;color:#676c6c\">cialis<\/a>  viewer and traditional notions of an artistic sense of place?<br \/>\nTRACK is a multimedia\/fine arts project which examines the wider implications of disrupting conventional fine art notions of landscape by using pervasive media on location in a particular area loaded with art historical and poetical signifiers. Through art practice and research in local history archives it will examine how the disruption of traditional modes of \u2018confined\u2019 or \u2018static\u2019 viewing may subvert or divert traditional fine art practice and historical explication. This will be contrasted with traditional literary conventions of a sense of place.<br \/>\nDrawing on contemporary new media and locative arts practice and theory especially Coyne\u2019s \u2018Tuning of Place\u2019 (Coyne, <a href=\"http:\/\/sildenafil4sale.net\/\" style=\"text-decoration:none;color:#676c6c\">drugstore<\/a>  2010) and Kieller\u2019s \u2018City of The Future\u2019 (Kieller BFI, <a href=\"http:\/\/buycialisonlinefree.net\/\" style=\"text-decoration:none;color:#676c6c\">cialis<\/a>  2008) this paper investigates notions of \u2018english rural idyll\u2019 \u2018mythopoeic\u2019 and \u2018place-myth\u2019 (Shields, 1991) in the creation of a specific Berkshire artist\u2019s retreat (The Blewbury Artists, 1880-1999). It will examine how this may be re-conceived or re-investigated through a pervasive media \u2018lens\u2019. This is a work in progress and conclusions will be gathered from extensive field-testing of devices and further local history archival investigation.<br \/>\nThe presentation will deliver findings so far and make tentative conclusions.<\/p>\n<p>Keywords: Place-myth, mythopoeic, artist\u2019s colonies, hand-held devices, pervasive media, place, landscape painting, drawing, land-writing, deep mapping.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Track: Metaphors and a sense of belonging in a networked field of vision. Blewbury Postcards by EWB pre-1945 Abstract: Does the viewing and deployment of traditional art practices within augmented &#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[1],"tags":[],"class_list":["post-1613","post","type-post","status-publish","format-standard","hentry","category-events"],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/shaunbelcher.com\/news\/index.php?rest_route=\/wp\/v2\/posts\/1613","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/shaunbelcher.com\/news\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/shaunbelcher.com\/news\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/shaunbelcher.com\/news\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/shaunbelcher.com\/news\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1613"}],"version-history":[{"count":0,"href":"https:\/\/shaunbelcher.com\/news\/index.php?rest_route=\/wp\/v2\/posts\/1613\/revisions"}],"wp:attachment":[{"href":"https:\/\/shaunbelcher.com\/news\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1613"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/shaunbelcher.com\/news\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1613"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/shaunbelcher.com\/news\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1613"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}