![\"evidence.jpg\"](\"https:\/\/shaunbelcher.com\/blog\/wp-content\/uploads\/2008\/02\/evidence.jpg\")
<\/p>\n<\/p>\n
\u00a0ALL I WANT (IS EVERYTHING)<\/strong><\/p>\n <\/em>All\u00a0I want is everything and everything is all\u00a0I want All\u00a0I want is everything and everything is all\u00a0I want<\/em><\/p>\n \u00a0A Song by Darden Smith and Boo Hewerdine off ‘Evidence’ recording 1985 which acts as a metaphor for the show being a ad hoc and spontaneous collaboration between two musicians from UK and USA and stands for the Americana metaphors and \u00a0influences on my own work.<\/p>\n The image of the cow skull also resonates with the frieze on the Usher building itself. The original artwork is by Austin Texas artist Julie Speed.<\/p>\n http:\/\/www.juliespeed.com<\/a><\/p>\n In despair I have turned on my own production rather like a dog knawing its own leg……..as one of the fellow ‘Connectees’ said maybe I could use old work in a ‘new way’. This sunk in and finally\u00a0I have a plan for the exhibition.<\/p>\n It may be controversial it certainly will not spend time worrying about labels…or ‘interpretation’.\u00a0My plan draws on contemporary American practice notably in California and Phoenix, sale<\/a> Arizona….especially with regard to ‘presentation’.<\/p>\n I will work in a spontaneous and ‘studio-like’ manner which ironic considering I no longer have a studio space….<\/p>\n For the four weeks the wall space I ‘allotted’ will become my ‘map’ and ‘studio space’.<\/p>\n The work itself\u00a0will not recognise generic boundaries between methods of production or ‘scripted’ narratives. It may change over the four weeks. It may not.<\/p>\n It is a re-ordering of my own means of production. It challenges boundaries of participatory and ‘authorial’ work. It\u00a0may encourage comment and ‘participation.<\/p>\n It may or may not link with other ‘interventions’ in another city and institution.<\/p>\n It does not recognise any time frame but rather represents a ‘snapshot’ of my overall working method at a particular juncture. A bit like\u00a0 Kurt Schwitters<\/a> an ongoing ‘Merzbau’ but with more of a CPD angle….. Hopefully will have two ‘outcomes’ so beloved of our tutors…<\/p>\n It is a fluid creation……it does not recognise academic authorial limitations…it exists of and for its own self…<\/p>\n It laughs at its own arrogance<\/p>\n \u00a0Outcomes…incomes<\/strong><\/p>\n 1. An overview of where I am now and where I going in ALL fields…all work is coexistant and ongoing…<\/p>\n NO part of the work is of less worth than another. The spurious, recipe<\/a> unformed, malady<\/a> critical, sketchy and contingent is as important in defining the style of the piece as any other…<\/p>\n I have no plan for its appearance..aesthetic decisions made on spur of moment will control\u00a0 deployment…<\/p>\n It will contain everthing and nothing…associations will arise by chance, play and purpose…..<\/p>\n 2. It will signpost a route forward and act as a clearing house for next step..whatever that is..no decisions will be made in advance…<\/p>\n It is just the beginning….<\/p>\n All\u00a0I want is everything and everything is all\u00a0I want All\u00a0I want is everything and everything is all\u00a0I want<\/em><\/p>\n simple….it will look like a dog’s dinner….<\/em><\/p>\n <\/em><\/p>\n Thomas Campbell – studio recreation<\/p>\n Thomas Campbell Studio on location, paintings, drawings, photos, sculptures and video \u00a0ALL I WANT (IS EVERYTHING) All\u00a0I want is everything and everything is all\u00a0I want All\u00a0I want is everything and everything is all\u00a0I want \u00a0A Song by Darden Smith and Boo …<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[1],"tags":[],"class_list":["post-1974","post","type-post","status-publish","format-standard","hentry","category-events"],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/shaunbelcher.com\/news\/index.php?rest_route=\/wp\/v2\/posts\/1974","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/shaunbelcher.com\/news\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/shaunbelcher.com\/news\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/shaunbelcher.com\/news\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/shaunbelcher.com\/news\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1974"}],"version-history":[{"count":0,"href":"https:\/\/shaunbelcher.com\/news\/index.php?rest_route=\/wp\/v2\/posts\/1974\/revisions"}],"wp:attachment":[{"href":"https:\/\/shaunbelcher.com\/news\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1974"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/shaunbelcher.com\/news\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1974"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/shaunbelcher.com\/news\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1974"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\ni.e. this not obsessive behaviour dear tutors \u00a0it simply a means to and end.<\/p>\n![\"campbell.jpg\"](\"https:\/\/shaunbelcher.com\/blog\/wp-content\/uploads\/2008\/02\/campbell.jpg\")
<\/p>\n
\nSing Ding A Ling<\/strong><\/span><\/p>\n
\n30\/09 10\/12 \/2006<\/span>Museum Het Domein Sittard<\/strong><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"