{"id":246,"date":"2011-09-12T08:29:47","date_gmt":"2011-09-12T08:29:47","guid":{"rendered":"https:\/\/shaunbelcher.com\/rpt\/?p=246"},"modified":"2016-06-07T17:30:45","modified_gmt":"2016-06-07T17:30:45","slug":"patrick-keiller-bibliography","status":"publish","type":"post","link":"https:\/\/shaunbelcher.com\/rpt\/?p=246","title":{"rendered":"Patrick Keiller Bibliography"},"content":{"rendered":"
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Patrick Keiller bibliography<\/p>\n

Keiller, Patrick:”Imaging” in Matthew Beaumont and Gregory Dart (eds): Restless Cities<\/em> (London: Verso, 2010), pp.139-154.<\/p>\n

Keiller, Patrick: “Landscape and Cinematography”, Cultural Geographies<\/em>, Vol. 16, No. 3, 2009, pp.409-414; http:\/\/cgj.sagepub.com\/cgi\/pdf_extract\/16\/3\/409<\/p>\n

Keiller, Patrick: “Popular Science” in Anthony Kiendl (ed.): Informal Architectures: Space and Contemporary Culture<\/em> (London: Black Dog, 2008), pp. 32-37.<\/p>\n

Keiller, Patrick: “Urban Space and Early Film” in Andrew Webber and Emma Wilson (eds): Cities in Transition: The Moving Image and the Modern Metropolis<\/em> (London, New York: Wallflower, 2008), pp. 29-39.<\/p>\n

Unwin, Richard: review of The City of the Future<\/em>, BFI Southbank Gallery, in Frieze<\/em> 114, April 2008; http:\/\/www.frieze.com\/issue\/review\/patrick_keiller<\/p>\n

Dillon, Brian: review of The City of the Future<\/em>, BFI Southbank Gallery, London in Modern Painters<\/em>, March 2008, pp.84-85.<\/p>\n

Keiller, Patrick: “Phantom Rides: The Railway and Early Film” in Matthew Beaumont, Michael Freeman (eds): The Railway and Modernity: Time, Space, and the Machine Ensemble<\/em> (Oxford etc: Peter Lang, 2008), pp.69-84.<\/p>\n

Hanks, Robert: review of The City of the Future<\/em> in The Independent Extra<\/em>, 22 November 2007, pp.14-15; http:\/\/www.independent.co.uk\/arts-entertainment\/art\/reviews\/a-cinematic-show-puts-a-new-twist-on-historical-perception-765004.html<\/p>\n

Keiller, Patrick: feature article in Time Out<\/em>, 21 November 2007, p.67; http:\/\/www.timeout.com\/film\/features\/show-feature\/3841\/patrick-keiller-interview.html<\/p>\n

Keiller, Patrick:”Phantom Rides”, The Guardian Review<\/em>, 10 November 2007, p.14; http:\/\/www.guardian.co.uk\/books\/2007\/nov\/10\/2<\/p>\n

Hardingham, Samantha and Rattenbury, Kester: Supercrit #1: Cedric Price Potteries Thinkbelt<\/em> (Abingdon: Routledge 2007), pp.110-111.<\/p>\n

Walker, Ian: So Exotic, So Homemade: Surrealism, Englishness and Documentary Photography<\/em> (Manchester: Manchester University Press, 2007), pp.160-186.<\/p>\n

Keiller, Patrick: “Londres, Bombay” in Vertigo<\/em> Vol. 3 No. 6 Summer 2007, pp. 38-39, 42-23.<\/p>\n

Keiller, Patrick: “Film as Spatial Critique” in Mark Dorrian, Murray Fraser, Jonathan Hill, Jane Rendell (eds): Critical Architecture<\/em> (London, New York: Routledge, 2007), pp.115-123.<\/p>\n

Keiller, Patrick: ‘The City of the Future’ in Alan Burton, Laraine Porter (eds): Picture Perfect: Landscape, Place and Travel in British Cinema before 1930 <\/em> (Exeter: Exeter University Press, 2007), pp.104-112, abridged at http:\/\/www.bftv.ac.uk\/newslet\/0304p3.htm<\/p>\n

Anderson, Jason: “London Mapping: Patrick Keiller’s Peripatetic Hybrids”, interview with Patrick Keiller, Cinema Scope<\/em> 26, 2006.<\/p>\n

Keiller, Patrick:”Coal Hopper, Nine Elms Lane, ” in Iain Sinclair (ed): London: City of Disappearances<\/em> (London: Hamish Hamilton, 2006), pp.292-295.<\/p>\n

Burke, Andrew: “Nation, Landscape and Nostalgia in Patrick Keiller’s Robinson in Space”, Historical Materialism<\/em> 14:1, 2006, pp.3-29; http:\/\/www.ingentaconnect.com\/content\/brill\/hm\/2006\/00000014\/00000001<\/p>\n

Connarty, Jane; Lanyon, Josephine and others: Ghosting: The Role of the Archive within Contemporary Artists\u00c3\u00a2\u00e2\u201a\u00ac\u00e2\u201e\u00a2 Film and Video<\/em> (Bristol: Picture This, 2006), pp.106-109.<\/p>\n

Mazierska, Ewa & Rascaroli, Laura: Crossing New Europe: Postmodern Travel and the European Road Movie<\/em> (London: Wallflower, 2006), pp.57-78.<\/p>\n

Dave, Paul: Visions of England: Class and Culture in Contemporary Cinema<\/em> (Oxford, New York: Berg, 2006), pp.119-140.<\/p>\n

Making History: Art and Documentary in Britain from 1929 to Now<\/em> (Liverpool: Tate Liverpool, 2006), pp.38, 46-47.<\/p>\n

Pile, Steve: Real Cities: Modernity, Space and the Phantasmagorias of City Life<\/em> (London: Sage, 2005), pp.4-12.<\/p>\n

Keiller, Patrick: “Motion Pictures”, The Guardian Review<\/em>, 21 May 2005, pp.18-19; http:\/\/www.guardian.co.uk\/film\/2005\/may\/21\/2<\/p>\n

House, John & Keiller, Patrick: “River of Dreams”, Tate Etc.<\/em> 3 (Spring 2005), pp.100-107; http:\/\/www.tate.org.uk\/tateetc\/issue3\/riverofdreams.htm<\/p>\n

Demorgon, Laurence: “Robinson, p\u00c3\u0192\u00c2\u00a9lerin du monde global”, “Architecture d’aujourdhui<\/em>“350, January-February 2005, pp.24-25.<\/p>\n

Keiller, Patrick: “Tram Rides and Other Virtual Landscapes” in Simon Popple, Patrick Russell, Vanessa Toulmin (eds): The Lost World of Mitchell & Kenyon: Edwardian Britain on Film<\/em>, (London: BFI, 2004), pp.191-200.<\/p>\n

Mayer, Robert: “Not Adaptation but Drifting : Patrick Keiller, Daniel Defoe, and the Relationship between Film and Literature”, Eighteenth-Century Fiction<\/em> 16:4, July 2004, pp.803-827; http:\/\/digitalcommons.mcmaster.ca\/cgi\/viewcontent.cgi?article=1721&context=ecf<\/p>\n

Misselwitz, Philipp: “Reichtmer im Zerfall”, interview with Patrick Keiller in Philipp Oswalt (ed): Schrumpfende St\u00c3\u0192\u00c2\u00a4dte<\/em>, (Berlin: Hatje Cantz Verlag, 2004), pp.554-559; English edition 2006, pp.554-559.<\/p>\n

Keiller, Patrick: ‘The City of the Future’ in City<\/em> 7:3, November 2003, pp.376-386.<\/p>\n

Dillon, Brian: ‘London Calling’, interview with Patrick Keiller in Frieze 78<\/em>, October 2003, pp.78-81 http:\/\/www.frieze.com\/issue\/article\/london_calling\/<\/p>\n

O’Pray, Michael: Avant-Garde Film: Forms, Themes and Passions<\/em> (London, New York: Wallflower, 2003), pp.107-118.<\/p>\n

Keiller, Patrick: ‘London in the Early 1990s’ in Andrew Gibson and Joe Kerr (eds): London from Punk to Blair<\/em> (London: Reaktion, 2003), pp.353-361 and AA Files 49: London: Postcolonial City (London: Architectural Association, 2003), pp.20-24.<\/p>\n

Keiller, Patrick: ‘London-Rochester-London’ in Cedric Price and others: Re:CP<\/em> (Basel, Boston, Berlin: Birkh\u00c3\u0192\u00c2\u00a4user, 2003), pp.168-185.<\/p>\n

O’Neill, Eithne: London and Robinson in Space<\/em> review in Positif<\/em> 509\/510 (July\/August 2003), p.138.<\/p>\n

Keiller, Patrick: ‘The Poetic Experience of Townscape and Landscape’ and ‘Atmosphere, Palimpsest and Other Interpretations of Landscape’ reprinted in Nina Danino & Michael Mazi\u00c3\u0192\u00c2\u00a8re (eds): The Undercut Reader<\/em> (London, New York: Wallflower, 2003), pp.75-83, 204-208.<\/p>\n

Keiller, Patrick: ‘Sexual Ambiguity and Automotive Engineering’ in Peter Wollen and Joe Kerr (eds): Autopia<\/em> (London: Reaktion, 2002), pp.342-353.<\/p>\n

Evans, Gareth: The Dilapidated Dwelling<\/em> review in Time Out<\/em> (8-15 May 2002); http:\/\/www.timeout.com\/film\/reviews\/65464\/the-dilapidated-dwelling.html<\/p>\n

Keiller, Patrick: ‘Architectural Cinematography’ in Kester Rattenbury (ed): This Is Not Architecture<\/em> (London, New York: Routledge, 2002), pp.37-44.<\/p>\n

Martin-Jones, David: interview with Patrick Keiller, Journal of Popular British Cinema<\/em>, 5-2002, pp.123-132.<\/p>\n

Keiller, Patrick: The Robinson Institute<\/em>, eBook in series Species of Spaces<\/em> for diffusion.org.uk, 2002; http:\/\/diffusion.org.uk\/?p=62<\/p>\n

Keiller, Patrick: ‘Port Statistics’ in Iain Borden, Joe Kerr, Jane Rendell, Alicia Pivaro (eds): The Unknown City<\/em> (Cambridge MA, London: MIT, 2001), pp.442-458.<\/p>\n

Eisner, Ken: The Dilapidated Dwelling<\/em> review in Variety<\/em>, December 18-31, 2000; http:\/\/www.variety.com\/review\/VE1117796949.html?categoryid=31&cs=1<\/p>\n

Bruzzi, Stella: New Documentary: a critical introduction<\/em> (London: Routledge, 2000), pp.99-123.<\/p>\n

Dave, Paul: ‘Representations of Capitalism, History and Nation in the Work of Patrick Keiller’, in Justine Ashby and Andrew Higson (eds): British Cinema, Past and Present<\/em> (London: Routledge, 2000), pp.339-351.<\/p>\n

Smith, Claire: ‘New Art Cinema in the 90s’, in Robert Murphy (ed): British Cinema in the ’90s<\/em> (London: BFI, 2000), pp.145-155.<\/p>\n

Keiller, Patrick: ‘Popular Science’, in Landscape<\/em> (London: British Council, 2000), pp.60-67.<\/p>\n

Kerr, Joe: interview with Patrick Keiller in Bob Fear (ed): Architecture + Film II, Architectural Design<\/em>, 70:1, January 2000, pp.82-85.<\/p>\n

Keiller, Patrick: Robinson in Space and a Conversation with Patrick Wright<\/em> (London: Reaktion Books, 1999).<\/p>\n

Richard Wentworth’s Thinking Aloud<\/em> (London: National Touring Exhibitions, 1998), p.33.<\/p>\n

Keiller, Patrick: ‘The Dilapidated Dwelling’ in Sarah Wigglesworth and Jeremy Till (eds): The Everyday and Architecture, Architectural Design<\/em> 68:7-8, 1998, pp.22-27.<\/p>\n

Dave, Paul: ‘The Bourgeois Paradigm and Heritage Cinema’, New Left Review<\/em> 224, July-August 1997, pp.111-126; http:\/\/www.newleftreview.org\/?view=1914<\/p>\n

Barwell, Claire: interview with Patrick Keiller, Pix 2<\/em>, 1997, pp.158-165.<\/p>\n

Sinclair, Iain: Lights Out For the Territory<\/em> (London: Granta, 1997), pp.306-317.<\/p>\n

Sorensen, Colin: interview with Patrick Keiller, London on Film<\/em> (London: Museum of London, 1996), pp.160-161.<\/p>\n

Daniels, Stephen: “Paris Envy: Patrick Keiller’s London<\/em>“, History Workshop Journal<\/em>, 40:1, 1995, pp.220-222; http:\/\/hwj.oxfordjournals.org\/cgi\/pdf_extract\/40\/1\/220<\/p>\n

Keiller, Patrick: ‘The Tourist Poem’, Umeni<\/em> XLIII:1-2, UDU AVCR, Prague, 1995, pp.45-47.<\/p>\n

Price, Anna: interview with Patrick Keiller, Artifice<\/em> 1, 1994, pp.26-37.<\/p>\n

Keiller, Patrick: ‘The Visible Surface’, Sight and Sound<\/em>, November 1994, p.35.<\/p>\n

Keiller, Patrick: 1994 Berlin Film Festival programme text for London<\/em>, reprinted as ‘Filming London Obliquely’, Regenerating Cities<\/em> 7, 1994, pp.54-55.<\/p>\n

Sinclair, Iain: ‘Necropolis of Fretful Ghosts’, Sight and Sound<\/em>, June 1994, pp.12-15.<\/p>\n

The British Art Show 1990<\/em> (London: South Bank Centre, 1990), pp.76-77, 134.<\/p>\n

Keiller, Patrick: ‘Modern Architecture in Czechoslovakia 1919-1939’, published as ‘Czech Perspective’, Building Design<\/em>, 13 March 1987, pp.22-25.<\/p>\n

O’Pray, Michael: review of Norwood, Monthly Film Bulletin<\/em>, October 1984, pp.322-323.<\/p>\n

Keiller, Patrick: ‘Atmosphere, Palimpsest and Other Interpretations of Landscape’, in Undercut<\/em> 7-8, 1983, pp.125-129.<\/p>\n

Keiller, Patrick: ‘The Poetic Experience of Townscape and Landscape’, in Undercut<\/em> 3-4, 1982, pp.42-48.<\/p>\n

see also:<\/strong><\/p>\n

http:\/\/www.rca.ac.uk\/patrickkeiller<\/a><\/p>\n

http:\/\/thefutureoflandscape.wordpress.com<\/a><\/p>\n<\/div>\n

 <\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

  Patrick Keiller bibliography Keiller, Patrick:”Imaging” in Matthew Beaumont and Gregory Dart (eds): Restless Cities (London: Verso, 2010), pp.139-154. Keiller, Patrick: “Landscape and Cinematography”, Cultural Geographies, Vol. 16, No. 3, 2009, pp.409-414; http:\/\/cgj.sagepub.com\/cgi\/pdf_extract\/16\/3\/409 Keiller, Patrick: “Popular Science” in Anthony Kiendl (ed.): Informal Architectures: Space and Contemporary Culture (London: Black Dog, 2008), pp. 32-37. Keiller, Patrick: […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[32,10,52,1],"tags":[],"class_list":["post-246","post","type-post","status-publish","format-standard","hentry","category-cartography","category-cultural-geography","category-film","category-journal","post-preview"],"_links":{"self":[{"href":"https:\/\/shaunbelcher.com\/rpt\/index.php?rest_route=\/wp\/v2\/posts\/246","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/shaunbelcher.com\/rpt\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/shaunbelcher.com\/rpt\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/shaunbelcher.com\/rpt\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/shaunbelcher.com\/rpt\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=246"}],"version-history":[{"count":0,"href":"https:\/\/shaunbelcher.com\/rpt\/index.php?rest_route=\/wp\/v2\/posts\/246\/revisions"}],"wp:attachment":[{"href":"https:\/\/shaunbelcher.com\/rpt\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=246"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/shaunbelcher.com\/rpt\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=246"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/shaunbelcher.com\/rpt\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=246"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}