{"id":1858,"date":"2018-02-11T10:16:35","date_gmt":"2018-02-11T10:16:35","guid":{"rendered":"https:\/\/shaunbelcher.com\/writing\/?p=1858"},"modified":"2018-02-11T10:40:47","modified_gmt":"2018-02-11T10:40:47","slug":"substitute-new-volume-of-poems-2018","status":"publish","type":"post","link":"https:\/\/shaunbelcher.com\/writing\/?p=1858","title":{"rendered":"Substitute : New volume of poems 2018"},"content":{"rendered":"<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-large wp-image-1859\" src=\"https:\/\/i0.wp.com\/shaunbelcher.com\/writing\/wp-content\/uploads\/2018\/02\/SUB.jpg?resize=640%2C905&#038;ssl=1\" alt=\"\" width=\"640\" height=\"905\" srcset=\"https:\/\/i0.wp.com\/shaunbelcher.com\/writing\/wp-content\/uploads\/2018\/02\/SUB.jpg?resize=2121%2C3000&amp;ssl=1 2121w, https:\/\/i0.wp.com\/shaunbelcher.com\/writing\/wp-content\/uploads\/2018\/02\/SUB.jpg?resize=212%2C300&amp;ssl=1 212w, https:\/\/i0.wp.com\/shaunbelcher.com\/writing\/wp-content\/uploads\/2018\/02\/SUB.jpg?resize=768%2C1086&amp;ssl=1 768w, https:\/\/i0.wp.com\/shaunbelcher.com\/writing\/wp-content\/uploads\/2018\/02\/SUB.jpg?resize=676%2C956&amp;ssl=1 676w, https:\/\/i0.wp.com\/shaunbelcher.com\/writing\/wp-content\/uploads\/2018\/02\/SUB.jpg?w=1280&amp;ssl=1 1280w, https:\/\/i0.wp.com\/shaunbelcher.com\/writing\/wp-content\/uploads\/2018\/02\/SUB.jpg?w=1920&amp;ssl=1 1920w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/p>\n<p>Sometimes all it needs is a trigger and Kit de Waal&#8217;s excellent piece in the Guardian yesterday brought together a lot of things for me that been bubbling under the surface.<\/p>\n<p>Her article &#8216;<strong>Make room for working-class writers<\/strong>&#8216; touched a nerve&#8230;..<\/p>\n<p>read it here\u00c2\u00a0<a href=\"https:\/\/www.theguardian.com\/books\/2018\/feb\/10\/kit-de-waal-where-are-all-the-working-class-writers-\">https:\/\/www.theguardian.com\/books\/2018\/feb\/10\/kit-de-waal-where-are-all-the-working-class-writers-<\/a><\/p>\n<p>Also she made a comment about how the Proper v Performance Poetry debate basically divides along class lines and that really rang true for me.<\/p>\n<p>It is the reason I leapt to the defence of McNish and Tempest. Adrian Slatcher&#8217;s comments about the experience of being a working class writer also hit home.<\/p>\n<p>In 2011 we were both published by SALT as Salt Modern Voices but throughout I felt an outsider at that particular party.<\/p>\n<p>I was reading next to very affluent new poets from privileged backgrounds who frankly I had nothing in common with.<\/p>\n<p>Most of the audience were from their background not mine and in a particularly depressing reading in Oxford I actually felt antagonism for raising my subject in their presence.<\/p>\n<p>A mostly white female middle-class leftist audience did not like to hear about the destruction of the working class communities of Oxford which allowed them to enjoy their academic privileges.<\/p>\n<p>Some inconvenient truths are not wanted even by allegedly left-leaning liberal elites.<\/p>\n<p>Adrian&#8217;s very erudite piece on the subject here:<\/p>\n<p><a href=\"http:\/\/artoffiction.blogspot.co.uk\/2017\/12\/a-working-class-writer-is-something-to.html\">http:\/\/artoffiction.blogspot.co.uk\/2017\/12\/a-working-class-writer-is-something-to.html<\/a><\/p>\n<p>Since then I have noticed that academic poetry and performance poetry have started to separate in a alarming way. This is an outcome of a deliberately devisive education policy by government that increasingly appears to be a &#8216;pay to play&#8217; approach to education.<\/p>\n<p>If your parents invest a \u00c2\u00a3100 k plus (BA+MA+PHD fees)you will one day get the payback of an academic career before 30 in return . An American privatised model.<\/p>\n<p>These factors stopped me writing..I gave up..I felt nobody cared..that there was no audience for what I did..and I was right&#8230;.the middle-class &#8216;proper poetry&#8217; area isn&#8217;t interested in me..isn&#8217;t interested in the truth of working class lives and experience as a subject.<\/p>\n<p>PN Review and others are not interested in working class experience one iota.<\/p>\n<p>You want to play in the Premiere League magazines better hide all that personal shit and start writing about your foreign holidays, how difficult it is being a middle class person post Brexit or at worst make up shit about Impressionist painter&#8217;s wives you have no knowledge about but it feels authentic enough to your equally pretentious and middle-class readers sitting in their sun lounges drinking martinis to swallow.<\/p>\n<p>Poetry for me has always been a means of articulating my anger at the class system in the U.K.<\/p>\n<p>It has always been polemical even when it appears to be purely personal. As Raymond Williams wrote about the Romantics &#8216;the personal is political&#8217;.<\/p>\n<p>So I have the impetus and hopefully in a few weeks a book to go with it&#8230;..I feel that inspired. I have been silenced for too long.<\/p>\n<p>I am coming off the subs bench&#8230;&#8230;I may not make the first team but I will put in some hefty tackles especially on Simon Armitage &#8230;the David Beckham of poetry;-)<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Sometimes all it needs is a trigger and Kit de Waal&#8217;s excellent piece in the Guardian yesterday brought together a lot of things for me that been bubbling under the surface. Her article &#8216;Make room for working-class writers&#8216; touched a nerve&#8230;.. read it here\u00c2\u00a0https:\/\/www.theguardian.com\/books\/2018\/feb\/10\/kit-de-waal-where-are-all-the-working-class-writers- Also she made a comment about how the Proper v Performance&#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[92,33,79,46,59,94,76],"tags":[],"class_list":["post-1858","post","type-post","status-publish","format-standard","hentry","category-performance-poetry","category-poetry","category-poetry-magazines","category-poets","category-politics","category-populism","category-self-publishing"],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6nhh-tY","jetpack_likes_enabled":true,"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/shaunbelcher.com\/writing\/index.php?rest_route=\/wp\/v2\/posts\/1858","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/shaunbelcher.com\/writing\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/shaunbelcher.com\/writing\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/shaunbelcher.com\/writing\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/shaunbelcher.com\/writing\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1858"}],"version-history":[{"count":14,"href":"https:\/\/shaunbelcher.com\/writing\/index.php?rest_route=\/wp\/v2\/posts\/1858\/revisions"}],"predecessor-version":[{"id":1876,"href":"https:\/\/shaunbelcher.com\/writing\/index.php?rest_route=\/wp\/v2\/posts\/1858\/revisions\/1876"}],"wp:attachment":[{"href":"https:\/\/shaunbelcher.com\/writing\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1858"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/shaunbelcher.com\/writing\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1858"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/shaunbelcher.com\/writing\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1858"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}