I shall be reading from new Horseshoe Press pamphlet ‘Thames Valley Texas’ next Tuesday at the Organ Grinder on Open Books second birthday. Without the hard work of the T S Eliot of Bus Drivers there would be no Open Book so thank you Neil Fulwood here’s to the next two years…
Date for your diary: Tuesday 3rd October 2023, from 8pm. Open mic, headline sets from Shaun Belcher and Tony Challis; plus special appearances from some mystery guests. So head to the Overlook Hotel, er, I mean The Organ Grinder, Nottingham and join in the fun. Anyone missing out will be “corrected”.
One of the fabulous things about the modern poetry scene is the hatred of ‘self-publishing’ as somehow amateur or not professional…a opinion reinforced by those with most to lose i.e. the publishers.
GRASS CLOUDS contains everything I have written as ‘poetry’ since I arrived in Nottingham in 2002 so about 20 years worth
Contains 80 poems and some illustrations.
Includes the following pamphlets and projects:
Drifting Village Poems 2001-2011
Edwin Smith Commission 2014
Burning Books and Buying time 2017 – 2018
My Father’s Things (illustrated) 2019
At the Organ Grinder I shall be reading from the new volume ‘Substitute’ which I am working on now.
The planned new poems in a volume called substitute was held back as I had another year’s teaching contract to complete. I am now officially retired from Nottingham College so can concentrate a tad more on the written word.
To date I have written a baker’s dozen of new poems since last year’s reading and will be reading from the new collection at the Open Book Reading on the 3rd October.
In an ironical twist having selected the title because of The Who song I found out that Pete Townsend actually got married in my hometown and at the council offices I and my sister helped clean back in late seventies. My mother and nan were cleaners there in evening.
There no sustitute for a tie-in bit of PR in this case there were even photos taken. No I was not there but probably at home kicking a football against the wall as a nine year old.
Like a bad penny this story never dies and after I had this photograph taken yesterday I thought similar and did some more digging and found two new articles on ‘Flynn’ and for those less squeamish that comes from the saying ‘in like Flynn’ about Errol Flynn’s legendary bedding of women.
the full story in Coppard link above but here two new takes on the story..
I came from nothing, and it may be I was never anything more than a contrivance for recording emotions I would fain have taken for my own, but could not– life passed me by
. From AE Coppard’s semi-autobiographical My Hundredth Tale written c1930
Graham Thomas an English author living in Tokyo has written a very accurate short life of Flynn available here.
A selection of published and self-published volumes 1992-2022…30 years! I will be reading poems from these various collections tonight at The Organ Grinder with Neil Fulwood.
Here my CV 🙂
A NEW YEAR GREETING
**** (poem here)
Addenda: What I am not.
Shaun Belcher is the author of one out of print slim volume that disappeared into the virtual ether before it was printed via lightning strikes/amazon so qualifies as a work of fiction. He did not edit any anthology of obscure, unacknowledged legislators nor did he win any prizes, nor should we be specific did he enter any competitions. He has held no official tenures as a creative writer at any top end nor third rate provincial university and has never reviewed other poets he dislikes for the simple reason of building a profile to get published. He has never been recommended by friends in the poetry world as he has none and has studiously avoided anything to do with poets or poetry for over two decades. He is member of no group who look after his publishing and reading interests when his work over time slides into fabulous irrelevancy or simply becomes so bad it an embarrassment. He has no agenda nor minority axe to grind and has never played on his working class beginnings for pity or favour. He regards his lifelong devotion to obscurity and keeping some semblance of sanity in a world over-run with poets like a corpse covered in flies that he should not add to other’s suffering by maintaining a steady output of academic poetry which simply done to fulfil research departmental targets. His earnings from poetry over 40 years accrues to £70 he once got paid for being given a slot at Ledbury Festival by a friend and a commission again via a friend for £500 which works out to roughly £14.25 per annum which a living wage in the poetry world these days.
He is however still a poet if being a poet is none of the above.
He is still alive at time of writing and doesn’t expect things to change radically.
It all depends on a red wheelbarrow apparently and he does not have one.
I will be offering this as a free download from this evening as it Bastille day. GRASS CLOUDS contains everything I have written as ‘poetry’ since I arrived in Nottingham in 2002 so about 20 years worth
Contains 80 poems and some illustrations. I will be reading from it on Tuesday August 2nd at the Organ Grinder Canning Circus with Neil Fulwood who celebrating his new Smokestack Press publication.
Includes the following pamphlets and projects:
Drifting Village Poems 2001-2011
Edwin Smith Commission 2014
Burning Books and Buying time 2017 – 2018
My Father’s Things (illustrated) 2019
At the Organ Grinder I shall also be reading from the new volume ‘Substitute’ which due in Fall 2023.
Is mine and always will be it is my birth-right I am born to this and never shall let it slip I am the world king and God’s chosen one To let go of power is to betray you all
I will make the problems disappear All it takes is character as my masters told me Drilled with a sense of purpose and entitlement From a young age to handle the reins of power
The ethos at Eton and Oxford is always to be right even if found out never let the mask slip For that is a sign of weakness and I am not weak I am the firm hand, the strong voice, the liar
Who can not ever be found out to lie The philanderer who can buy secrecy The fool who cannot be judged wrong For there is no other King
This morning the cloak of privilege Is torn and stained but still wraps me round With banker friends and people of high birth who will take me in and bathe my wounds
I will return to the battle with my Excalibur Smite my enemies and ride again into battle This county needs me in its darkest hour I watch re-runs of Churchill in a darkened room
This is my right my destiny I am alone A King of no country
Shaun Belcher was born Oxford, England in 1959 and brought up on a down-land farm before moving to a council estate in the small town of Didcot in 1966 just as England won the world cup..
He studied fine art at Hornsey College of Art, London from 1979–81 where he sat under a tree with Adrian Mitchell.
Began writing poetry in the mid 1980s and subsequently has been published in a number of small magazines and a poem 'The Ice Horses' was used as the title of the Second Shore Poets Anthology in 1996.(Scottish Cultural Press).
He now lives in Nottingham, England after two years in Edinburgh studying folk culture and several years in the city of expiring dreams working as a minion at the University of Oxford.
He is currently enjoying retirement from 20 years of teaching and hopes to write something on a regular basis again. He has been involved in various literary projects including delivering creative writing workshops in Nottingham prison for the ‘Inside Out’ project.
He supports Arsenal football club.
Favourite colours therefore red and green like his politics.
We have not won the world cup again since 1966 and Shaun Belcher is not as famous as Simon Armitage although his songs are better.
Visit OPEN BOOK WEBSITE the monthly readings have now ended but the archive remains.