Category: My Back Pages (Page 1 of 2)

Coppard returns…

Like a bad penny this story never dies and after I had this photograph taken yesterday I thought similar and did some more digging and found two new articles on ‘Flynn’ and for those less squeamish that comes from the saying ‘in like Flynn’ about Errol Flynn’s legendary bedding of women.

the full story in Coppard link above but here two new takes on the story..

https://www.newyorker.com/books/second-read/the-marvellous-forgotten-stories-of-a-e-coppard

I came from nothing, and it may be I was never anything more than a contrivance for recording emotions I would fain have taken for my own, but could not– life passed me by

.
From AE Coppard’s semi-autobiographical My Hundredth Tale written c1930

Graham Thomas an English author living in Tokyo has written a very accurate short life of Flynn available here.

Recommended.

My Back Pages



Latest volume Grass Clouds Poems 2002-22

A selection of published and self-published volumes 1992-2022…30 years! I will be reading poems from these various collections tonight at The Organ Grinder with Neil Fulwood.

Here my CV 🙂

A NEW YEAR GREETING

****
(poem here)

Addenda: What I am not.

Shaun Belcher is the author of one out of print slim volume that disappeared into the virtual ether before it was printed via lightning strikes/amazon so qualifies as a work of fiction.
He did not edit any anthology of obscure, unacknowledged legislators nor did he win any prizes, nor should we be specific did he enter any competitions.
He has held no official tenures as a creative writer at any top end nor third rate provincial university and has never reviewed other poets he dislikes for the simple reason of building a profile to get published.
He has never been recommended by friends in the poetry world as he has none and has studiously avoided anything to do with poets or poetry for over two decades.
He is member of no group who look after his publishing and reading interests when his work over time slides into fabulous irrelevancy or simply becomes so bad it an embarrassment.
He has no agenda nor minority axe to grind and has never played on his working class beginnings for pity or favour.
He regards his lifelong devotion to obscurity and keeping some semblance of sanity in a world over-run with poets like a corpse covered in flies that he should not add to other’s suffering by maintaining a steady output of academic poetry which simply done to fulfil research departmental targets.
His earnings from poetry over 40 years accrues to £70 he once got paid for being given a slot at Ledbury Festival by a friend and a commission again via a friend for £500 which works out to roughly £14.25 per annum which a living wage in the poetry world these days.

He is however still a poet if being a poet is none of the above.

He is still alive at time of writing and doesn’t expect things to change radically.

It all depends on a red wheelbarrow apparently and he does not have one.

Happy New Year.

My Back Pages: Collateral

COLLATERAL

(for D.D.)

Windows shake, tyres screech

Litter blows across the estate

Gunshots ricochet as sound

The Divis Flats, Brixton Market

Beirut, Jerusalem, Sarajevo

A baby cries, a baby cries

The broadcast stops, the helicopter hovers

There’s a smell of cordite, a cold wind

A face you have seen before on the news

Starting to dissolve in a pall of smoke

Gravestones, a line of mourners, a hearse

More tracking shots, more candles to light

The post-war peace has been noisy

All night the rain streaking the vans

As another round up begins

Difference is a slogan, tolerance fades

Hope drifts downstream like radium

Whitewashing concrete stained with blood

We can carry on, we can care even more

The trains will run, the tide will turn

The supremacists will make everything alright

The same arguments start again and again

Tube trains fill with dust and smoke

Collateral damage drips through the door

You choose what to believe, what to see

As another herd of innocents die in a cellar

The missing migrant is pushed into the sea

Sixty years of peace in Europe a lie

From the Balkans to Ukraine this is total war

An iron curtain swinging in the breeze

In the morning a cold silent light

A white horse streaked with blood and lame

Dragging itself to a poisoned stream

The crusaders horse is then shot full of holes

Its body carried away on a torrent of pain.

Collateral: The ghost in the Western dream.

Thunder Circling: Thames Valley Texas

THUNDER CIRCLING

He needed to talk to someone.
It happened to be us.
His rolled tobacco slipped from his fingers
as he went over events fifty years before.
The harbour, Singapore, thunder circling
and lightning flashing across the sea.
A merchant navy man,
sitting on deck with his mates,
watching a free show.
‘lf they’s could only ‘arness that energy’.

The same bar two hours later.
Someone else who wanted to talk
but blocked by E’s, drunk,
it came in staccato bursts, the sense,
mouthed through a vocabulary
borrowed from rap, rave and T.V.
Eighteen, jobless, staring through glass
at a wet car park, he rocks gently
like a ship stuck in harbour.

Outside, flashing lights, sirens.

1993

Hawker Siddley Argosy: My Back Pages

HAWKER SIDDLEY ARGOSY

Improbable squares, steel-framed frogs
hopping from aerodrome to aerodrome
through an emulsion sky, wool clouds.
You could hear them from miles away
before they’d flash over the barn
and into my wide open six-year old eyes.

Other times they dissolved through
the outhouse plastic corrugated roof
into distorted birds that rattled
like boxes as they headed south
travelling so low and slow
as if weighted down by air.

Sometimes two would appear together
flickering through the tall roses
as I clung to the wooden fence
head hung back, off balance.
l tried to read the letters and numbers
painted on the dull grey fuselage.

I imagined them picking up our house.
Slotting the wooden walls, corrugated
plastic, roof slates and felt, windows,
my mother washing clothes in clouds of steam,
even our spaniel and me
and spinning us all into whiteness.

From Landmine: Poems 1992-1996

Read more here: LANDMINE

My first six years I lived in a wooden clapboard house on top of a hill near Wittenham Clumps. We were under the flight-path of Benson aerodrome which is why these aircraft had a profound affect on me.

Diving for Change: Thames Valley Texas

DIVING FOR CHANGE

Below and to my right from this window a Volvo lorry crunches gear
shredded leaf, dust and gravel trickles from bumper and wheel-arch.
The digging of the new pool has been going on now for two weeks.
Yellow digger-buckets mouth the park’s soil and turf into lorries
that rumble off, indicators flashing, down dusty A-roads
to tip their loads as land-fill or as embankment on the new trunk road.

I used to swim badly across the old pool that’s been demolished
splashing a clumsy trail from three to six-foot but no further.
Now a JCB arm is swinging deeper than the best then could dive
clanking engines and carbon fumes replacing yells and splutters.
Pale teenagers, we swarmed round a tin and hardboard kiosk
where we’d buy ice-cream speared with flakes every summer.

Now sub-contractors, mis-managers and bankrupts delay completion.
Keep us waiting for a false vision of the sea in middle England.
Meanwhile every other council-painted door has a fresh veneer
and satellite-dishes mark the newly affluent from the newly poor.
Communal flats have been knocked down, replaced by home ownership
whilst the council chambers echoed to private sector linkage.

Down the road kids clutch change that grows sweaty and sticky
as the division between white and blue collars frays at the edges.
The water is milky like a disinfectant bath, ice-cream melting.
Every Friday my school class fizzed in that copper sulphate pool.
Some from that class dived into the eighties, came out with coins
but others still stumble round the wire slaked in mud and urine.

From Landmine Poems 1992-1996

This is an old poem that was never published it was too political, too edgy, too working class in the early 1990’s. To fit into a poetry world dominated by the white middle-class in those days took a certain amount of camouflaging.. some blended in well like Armitage always cloaking their politics ( after all he was a probation officer when I met him hardly a radical occupation).

I resigned myself to being an outlier in poetry then and frankly little changed…This poem was about the slow spread of corruption that started with the council house sell-off…..land-owning became a badge of the new right. It mattered not that many got left behind or that the environment was trashed as long as the showers of gold trickled down to.. well the gutter.

I stole Mr Parr’s photo he will not mind he owes me one for a favour I did later and it the perfect image of a country on brink of selling its soul.

We all went diving for change in broken fountains….

Arteries: Thames Valley Texas

Arteries

“Never knew what hit them ,
the impact must have been tremendous
to have left that much blood on the road,
looked like it had exploded”.

My father talking about the accident.
One side of the car had caved right in
and there was a bloodstain twenty yards long
across both sides of the road.

“What was left of the deer was laid on the grass
like a sack of bones”.

Ten days later.

In the same kitchen he is gingerly fingering
row upon row of tiny pink pills.

“Everybody’s on them these days”
My mother says, trying to lighten the road ahead.

But we could all see what he could see.

Moving through the trees.

His mother heart failure 65.
His mother’s father heart attack 65.

Right now I prefer not to look too far ahead.
But I can feel movement deep in the forest of arteries and veins.
Something unseen and unexpected pushing out..

Toward the lights.

Addendum: This poem was written in 1991 my father remained in good health until 2002 when at the age of 70 he was diagnosed with advanced pancreatic cancer and died in 2004.

Another poem from my back pages.
From an overall collection called

Diesel on Gravel 1991

The North Field: Thames Valley Texas

The North Field

You lying exhausted in another room, me taping,
trying to drag some of the past with me.
Three stories up in West London
I think of old friends, forgotten journeys
and the cracked ceiling reminds me of ice
and cars swish beyond the stained curtains.

You say I never talk, never explain things
clam-up, freeze-up, a tight-lipped Englishman.
You should have tried talking to my father
and his step-father, stood in a field mid-winter.
Tried catching a word as snow blurred the hills
and kept the rooks clinging to the high trees.

Cold as winter cattle, boots white with frost
they’d say nothing, just stamp chilblained feet
and whistle the dog back to the track they knew
lay under six inches of fresh snow.
Their maps were in their heads.
Now I clear mine and stumble on the edge of a new path.

Forgive me my sullen silences, my outbursts
at years of missed chances, frustrations, laziness.
Tonight there is no spate water froze across meadows,
no fields buried under six foot drifts,
yet I can feel the words tugging at me
wanting to arc a white half-acre
unleased.



Another poem from my back pages. London 1992.

From an overall collection called Landmine Poems 1992-1996

England Swings: Thames Valley Texas

No not a reference to Sergeant Pepper that was 20 but out of curiosity here an unseen poem from 1991.
 Ah, but I was so much older then I’m younger than that now..

ENGLAND SWINGS

Soho doorway, December ’66
sleet melting on daisy-patterned
plastic raincoat, seeping to salt lines
up purple suede slip-ons
Her front teeth bite her bottom lip
as she shivers, flicks her fringe,
and waits for a Mini-Cooper S
to arrive in a spray of slush,
Boutique lights flash in chrome wheels
splattered with ice, laced with tinsel.

Saturday morning, December ’86
she stands outside her mum’s semi
as her hubby shifts furniture out.
Cascades of bills, snaps, cards
fall from a draw into the dustbin.
Then a photo of her at 17
surfaces from the layers of 20 years.
Bobbed hair, raincoat against chequers,
she is staring, unwed into space
as flecks of snow speck the black lid.

Another poem from my back pages.

From an overall collection called

Diesel on Gravel 1991

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