Skip to content

SHAUN BELCHER WRITES

NORMAL TOWN POET

Menu
  • BIO
  • DARK WEATHER
  • THAMES VALLEY TEXAS
  • POET TV
  • PUBLICATIONS
  • REVIEWS
  • OPEN BOOK
  • CREDO
Menu

Lost Nottingham: Charlie and the Lace Factory

Posted on May 24, 2018May 24, 2018 by shaun belcher

 

CHARLIE AND THE LACE FACTORY

 

Monday 4th May 1904, Grand Theatre Radford Road, Hyson Green

Evening performance of Sherlock Holmes over, Charles Chaplin aged 15

Collar askew from a swift costume change leaves Billie the page boy behind

And cheekily slaps the final drop curtain just below King Charles head

The sun-light overhead sputters and dies leaving the stalls gloomy

As he exits through the corridor of mirrors, flickering like a film

 

He turns left on to Gregory Boulevard which is quiet now, audience departed

The half-moon illuminates the Forest park to his right, a few stars above the trees

Cold now he huddles in his thin jacket, stuffs hands in pockets and half-runs

Ahead the last tram descending the Mansfield road clatters in the darkness

A cab rattles past him headed toward Hyson Green its two jovial occupants singing

 

Then silence, just his own steps and far off an occasional cry, or clack of hooves

Latecomers emerging from the Grovesnor Hotel or workers leaving late shift

At the Mansfield Road a sudden burst of steam and noise as a train exits the tunnel

Then silence again as just Charlie and his shadow dance their way up Sherwood rise

Carrington Market is busy with late drinkers fresh off their factory shifts

The rumble of machinery echoes across the granite sets, mixes with brewery smells

 

A quick tap at the door and Mrs Hodgkinson lets him into his digs at number 100

From the back high window he looks down on the Burton and Sewell factories below

Their dark brick walls dotted with illuminated floors of workers making lace

Women on one floor tending the bobbins and un-twirling long lines of thread

Below men tending to the machines as they endlessly repeat their movements

He thinks he catches a smile from one young girl but she is gone in an instant

 

He is left hanging out of the top window watching clouds cross the moon

His only companion a rabbit hidden beneath the bed can be heard scratching

He feeds it leftover stale bread he’d been given that morning

Watches the endless repetitive machines coming and going over and over

The steady hum of machines that brought him to this place, steam and iron

The flicker of images that will be with him throughout these modern times

 

He thinks of his mother in confinement, his brother tending a bar in London

He hardly speaks except when on stage and wanders a different town weekly

Too late to play loudly he picks up his fiddle and bow one more time

And stood in the window, in moonlight, imagines himself a famous musician

He glides the bow gently across the strings, hardly a sound can be heard

He serenades the men and women below, all the world his stage forever…

 

  1. The lace factory now a care home behind imported plastic net curtains

A woman in her 80s suffering dementia suddenly remembers her mother speaking

About a night she saw Charlie Chaplin playing to the stars but no-one believed her

How one day he’d return and play one last reel for her….forever.

 

Share this:

  • Click to share on X (Opens in new window) X
  • Click to share on Facebook (Opens in new window) Facebook
  • Click to share on LinkedIn (Opens in new window) LinkedIn
  • Click to share on WhatsApp (Opens in new window) WhatsApp
  • Click to share on Pinterest (Opens in new window) Pinterest
  • Click to email a link to a friend (Opens in new window) Email
  • Click to print (Opens in new window) Print

Like this:

Like Loading...
Category: Lost Nottingham, Nottingham Poetry Festival, poetry, poetry research

Post navigation

← Burning Books – hiding in plain view?
Lost Nottingham: Picasso’s Peace Train →

4 thoughts on “Lost Nottingham: Charlie and the Lace Factory”

  1. Rooksby says:
    February 6, 2022 at 11:22 am

    Lovely piece of writing. I currently live very close to 100 Mansfield Road and can remember the old (huge) Lace Factory. It was semi-derelict and mostly unused when I first moved to this part of town in the ’90s but was occasionally used as a makeshift venue for late-night parties (“raves”). The barber who owns the shop next door to number 100 is keeping the Chaplin connection alive and will talk to anybody about it if they ask him.

  2. shaun belcher says:
    February 7, 2022 at 5:07 pm

    Sadly Ian the barber has retired for good now although when I last in for a haircut he still had a cutting about Chaplin framed on the wall. Apparently when they renovated the house next door they found the cutting there.

  3. Dave says:
    September 19, 2024 at 9:28 am

    Hi Shaun – bit confused here – we’re talking 100 Hucknall Road aren’t we? How long did CC stay there for in 1904? I’ve read in one place it was a week, and in another, several weeks – the time it took him to recover from illness. Looking at ‘property sold’ information, I notice that 100 Hucknall Road sold for £880,000 in December 2020 – a seemingly astronomical sum – unless it’s some kind of typo, or did the buyer pay well over the kind of market price you’d expect for a property of that size, on that road, because of its CC-related history. Was it, for example, a hotly contested auction? Is the property back as a house these days? All very fascinating – any information appreciated about this and CC’s time in Nottm, thanks, Dave. PS, did he actually perform at the Old Malt Cross in Nott’m?

  4. shaun belcher says:
    September 30, 2024 at 1:00 pm

    Yes there for a short period whilst working for Dan Leno’s Show (Leno from Nottingham apparently) and yes ill also. It a normal 3 bed terrace probably typo unless it more as has a shop below too. I only have photo (somewhere) of bill taken in shop will post if can find. I have no record of Malt Cross and think Hyson Green only but guessing there. The music hall site now has blue plaque to Chaplin and a seat is pretty grim park to be honest not richest area of town so neglected. I will take photo when down there getting dental treatment virtually on same spot.

Leave a Reply

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.

shaun belcher

A UK-based poet known for his eco-poetry and experimental style. His work often explores themes of nature, dislocation, and technology. 
A MODernist and a Gooner.
http://www.shaunbelcher.com

Visit the NEW
Nottingham Literary Review

https://www.openbook.org.uk/NLR
the new cultural matters journal that black and white and red all over...

Visit THE OPEN BOOK ARCHIVE

Subscribe to Shaun Belcher writes..via Email

Enter your email address to subscribe to this blog and receive notifications of new posts by email.

Join 2 other subscribers.

Pages

  • A. E. Coppard and Me
  • CREDO
  • DARK WEATHER
  • OPEN BOOK READINGS
  • POET TV
  • THAMES VALLEY TEXAS
  • The Bio
  • REVIEWS
  • PUBLICATIONS
    • Grass Clouds Collected 2010-2022
    • The Cloud Factory – Selected poems free pdf
    • Burning Books – New Poems 2016- 2017 (HPP2)
    • Thames Valley Texas – HPP 3 2023
    • The Horseshoe Press
    • The Drifting Village – Poems 2001-2011
    • Last Farmer – Salt Publication (Selected 1992-2010) O.O.P. Free Download
    • Farm-Hand’s Radio – 1996-2000
    • The Ice Horses – 1996
    • LANDMINE: Poems 1992-1996
    • Natura Morte – Dead Nature – Pamphlet for Friends of the Earth – 1992
    • Barn Songs – Collected Poems 1990-1991
    • Diesel on Gravel – Poems 1986-1989
    • Towns on Shallow Hills – Horseshoe Press Pamphlet no.1 1990
    • The Tithe Machine – Early Poems 1981-1985
  • Short Stories
  • Songwriting

Recent Posts

  • Lost in the Multiverse January 16, 2026
  • Thames Valley Texas Pamphlet read on heyzine January 11, 2026
  • Towns on Shallow Hills 1990 Pamphlet January 11, 2026
  • Thames Valley Texas: poems and songs from Normal Town October 28, 2025
  • NORMAL TOWN POET August 17, 2025
  • How to be a poet: META advice July 22, 2025
  • POST-TRUTH PUBLISHING: Shipwrecks and Hares.. July 16, 2025
  • Poetry Clinic? June 23, 2025
  • I Wanna Be Rejected: MAY 2024 June 23, 2025
  • I WANNA BE REJECTED: April 2024 June 23, 2025
  • How to Be Rejected ( to tune of Alice Cooper’s I wanna be Elected) Pt.2 – March – 2024 June 23, 2025
  • HOW TO FAIL AT POETRY No.1 How to be Rejected Jan/Feb 2024 June 23, 2025
  • WICKERLAND: poetry as middle class lifestyle choice June 22, 2025
  • Cold Spell: Poem for Windrush Day June 22, 2025
  • How Not to be a Poet June 11, 2025
  • SUBSTITUTE: Poems 2023-25 June 5, 2025
  • THAMES VALLEY TEXAS – The Photobook May 12, 2025
  • CHALKLAND: The Collected Poems 1984-2024 May 10, 2025
  • Writing Poetry on an Old Laptop December 6, 2024
  • The Greenwash Recycle November 28, 2024

Links

  • OPEN BOOK READINGS
  • Shaun Belcher Art
  • Shaun Belcher Songwriter

Writers

  • Andrew Taylor
  • Giles Goodland
  • Graham Caveney
  • John Harvey
  • Jonathan Taylor
  • Neil Fulwood
  • Rory Waterman
  • Rosie Garner

Blog Stats

  • 23,308 hits

Archives

  • January 2026
  • October 2025
  • August 2025
  • July 2025
  • June 2025
  • May 2025
  • December 2024
  • November 2024
  • August 2024
  • July 2024
  • April 2024
  • March 2024
  • February 2024
  • January 2024
  • October 2023
  • September 2023
  • June 2023
  • May 2023
  • January 2023
  • August 2022
  • July 2022
  • June 2022
  • February 2022
  • January 2022
  • November 2021
  • October 2021
  • July 2021
  • January 2021
  • December 2020
  • November 2020
  • September 2019
  • August 2019
  • May 2019
  • January 2019
  • July 2018
  • June 2018
  • May 2018
  • February 2018
  • November 2017
  • October 2017
  • September 2017
  • May 2017
  • April 2017
  • February 2017
  • June 2016
  • March 2016
  • February 2016
  • January 2016
  • June 2015
  • May 2015
  • April 2015
  • March 2015
  • February 2015
  • January 2015
  • December 2014
  • November 2014
  • October 2014
  • September 2014
  • July 2014
  • February 2014
  • November 2012
  • June 2012
  • September 2011
  • August 2011
  • March 2011
  • January 2011
  • August 2010
  • August 2009
  • November 2008
  • May 2008
  • January 2008
  • August 2007

Categories

  • #NaPoWriMo
  • 45s
  • American and Canadian Studies
  • barns and stars
  • books
  • Broken City
  • Castle Ruins III
  • commission
  • community arts
  • creative writing
  • creative writing M.A.
  • crime fiction
  • daily shorts
  • Dark Weather
  • Diesel on Gravel
  • Diversity
  • Eco-writing
  • experimental
  • faction
  • Fauxetry
  • fiction
  • Film
  • Firebirds
  • flash fiction
  • Football
  • graphic novel
  • Green Party
  • Green Politics
  • horror
  • Horseshoe Press
  • Horseshoe Press Pamphlet
  • hypertext
  • Landmine
  • last farmer
  • letterpress
  • Lost Nottingham
  • magazines
  • multimedia
  • music
  • My Back Pages
  • New Normal Press
  • Nottingham Contemporary
  • Nottingham Poetry Festival
  • nottingham writers studio
  • novel
  • novels
  • Open Book
  • oral literature
  • Performance Poetry
  • photobook
  • photography
  • poem a day
  • poetry
  • poetry magazines
  • poetry readings
  • poetry research
  • Poetry Reviews
  • Poetry Submissions
  • poets
  • politics
  • populism
  • poundland bargains
  • Poundland Sonnets
  • prose poetry
  • psychogeography
  • Publishing
  • readings
  • Rejection Letters
  • research
  • Review
  • salt modern voices
  • salt publishing
  • Self-Publishing
  • sexism
  • short stories
  • songwriting
  • Southern Gothic
  • Southern Writers USA
  • style
  • SUBMISSIONS
  • THAMES VALLEY TEXAS
  • The Dark Horses
  • the drifting village
  • thriller writing
  • Track Nottingham
  • Track Oxford
  • Words Festival
  • working class poetry
  • Writing and Images
  • writing for TV
© 2026 SHAUN BELCHER WRITES | Powered by Minimalist Blog WordPress Theme
%d